Neumannberlin TLM 67 User Manual download pdf (Page 95)

KM 100

Application Hints

For recording situations where the microphone

must remain “invisible”.

KM 120

• MS-Stereo microphone (in combination with

the KM 140)

• Two crossed AK 20s in Blumlein technique

• Inconspicuous spot microphone with optimum

attenuation of lateral sound sources

• Single microphone for two speakers

facing each other

KM 130

• Ideal as AB stereo pair in the diffuse sound field

because of the flat frequency response

• As a main mic, especially for capturing room

acoustics

• For stereo recordings with a baffle plate

• As a spot mic for piano, wind instruments,

organ, and choir

KM 131

• For close miking of instruments when there

is no need to attenuate extraneous noise,

and in a balanced acoustic environment to

record acoustic guitar, wind instruments,

strings, percussion, and drums

• Flat frequency response for close miking, spot mic

KM 140

• Universal usage, especially in situations

when it is necessary to attenuate sound

coming from adjacent instruments

• As XY and ORTF stereo pair

• Announcer’s mic for broadcasting

• Spot mic, overhead

• Close miking of strings, wind instruments,

percussion, piano, Leslie speakers,

guitar amps

• We recommend using an additional

windscreen to minimize the effects

of high wind velocity

KM 143

• Polar response characteristic acts more

like an omni. Therefore, it is an ideal tool

to record larger instrument ensembles

• As AB stereo pair, especially in rooms

with less than ideal acoustics

• As spot mic for strings, wind instruments,

percussion, and Leslie speakers

• Acts very neutral when used close up

to bass instruments, such as

double bass, bass amps, guitar amps

KM 145

• It naturally compensates for proximity effect

• Very neutral tonal balance during close

miking of speech, as in TV, movie and video ,

• Acts very neutral when used close up to bass

instruments, such as double bass, bass amps,

guitar amps, Leslie speakers, toms

KM 150

• As XY stereo pair

• Overhead, toms

• In situations that are susceptible to acoustic

feedback

• To attenuate unwanted sound of nearby

instruments

• Recording of speech, as in TV, movie and video

productions, PA systems

• Produces especially warm and bass supporting

sound for artists who perform in proximity

effect range

• We recommend using an additional wind-

screen to minimize the effects of high wind

velocity, and plosive sounds

These are just some of the most common

applications. Detailed hints are described in the

catalog “KM 100 Application Guide”.

Delivery Range KM ...

Microphone KM 120 ... KM 150

Windscreen WNS 100 or WNS 120

Stand mount SG 21 bk

Wooden box

Delivery Range SKM 140 (150)

2x Microphones KM 140 (150)

2x Connecting cables LC 3 KA

1x Stereo mount STH 100

Wooden box

Delivery Range SKM 100-MS

1x Microphone each KM 120 and KM 140

2x Connecting cables LC 3 KA

1x Stereo mount STH 120, Wooden box

Catalog No.

KM 120 .......................................... blk ......................008417

KM 130 .......................................... blk ......................007051

KM 131 .......................................... blk ......................007061

KM 140 .......................................... blk ......................007031

KM 143 .......................................... blk ......................007109

KM 145 .......................................... blk ......................007068

KM 150 .......................................... blk ......................007077

SKM 140 ....................................... blk ......................007094

SKM 150 ....................................... blk ......................007099

SKM 100-MS .............................. blk ...................... 008421

1 2 ... 90 91 92 93 94 95 96 97 98 99 100 ... 161 162

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Neumannberlin TLM 67 User Manual Page 95

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